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Author: David Davies
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AWS CEO Matt Garman: ‘Generative AI has the potential to disrupt every single community’In his first AWS re:invent since taking over as Amazon Web Services (AWS) CEO in June 2024, Matt Garman declared that there had “never been a more exciting time out there in the world to be a start-up” as he...
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Globecast employs IP and cloud distribution for Malaga Premier Padel P1In a year that is expected to be instrumental in driving the growth of racket sport padel around the world, broadcast services company Globecast has revealed that, as of early 2024, it has been supporting the Qatar Airways Premier Padel...
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European Aquatics Championships: Omnicam4Sky special camera captures split images above and below waterGrup Mediapro company Omnicam4Sky has provided a host of special camera solutions – including the Waterline Dual Cam that allows the capturing of split images above and below the waterline – for use at the European Aquatics Masters Championships, which...
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Skills shortages: Exploring the growing challenges around recruiting top talentAn insufficient supply of young software developers, a generational shift that means people are staying for shorter periods at each employer, and increased competition from other areas of IT are among the factors making it increasingly difficult for broadcast technology...
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AIMS TechFest: Exploring network challenges and the “changing landscape” of remote audio productionIn a continuation of its long-term emphasis on education around IP audio standards, the Alliance for IP Media Solutions (AIMS) held an online TechFest on 9-10 March which addressed both current standards initiatives and the implementation of IP-based remote audio...
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AES Show Fall 2020 addresses AoIP progress and impact of AI and machine learningIn the wake of a successful virtual European show in June, it was to be expected that the Audio Engineering Society (AES) Show Fall 2020 would also assume an online format in light of the continuing pandemic. As with the...
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AES Virtual 2020: The past, present and future of 22.2 surround soundA more general industry awareness of 22.2 may only have become a reality in the last few years, but in fact the history of the surround sound format stretches back nearly two decades. The eventful evolution of 22.2 and its...
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AES 2020: Examining gender equity and inequality in audio engineeringThe fact that the number of cisgender women and transgender people becoming audio engineers – and then receiving proper credit for their achievements – is still far from achieving parity with many other STEM (science, technology, engineering, mathematics) disciplines was...
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AES 2020: Focus on ‘creative potential’ of immersive audio technologiesWith COVID-19 rendering the annual European gathering of the Audio Engineering Society an impossibility, the decision was taken to present an online-only conference from 2-5 June under the heading of ‘A World of Audio’. A characteristically diverse programme encompassed subjects...
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LCEVC explainer: Why the enhancement codec could be a value-add for sports broadcasters in uncertain timesThere is no doubt that 2020 is shaping up to be a landmark year for broadcast codecs with a slew of new developments due to reach fruition. One of the most significant is MPEG-5 Part 2 Low Complexity Enhancement Video...
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AIMS audio chair Terry Holton discusses AES67 and ST 2110 progressEver since the SMPTE ST 2110 media IP standards began to be published in 2018 after many years of work, there has been an understandable interest in audio circles concerning the overall adoption of the standards group – and the...
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Inside the development of Bluetooth’s new Low Energy Audio standardImproved audio for people with hearing loss and a Broadcast Audio feature that allows universal audio sharing are among the selling points of the new LE (Low Energy) Audio Standard, which was announced by the Bluetooth Special Interest Group (SIG)...
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AES president Roginska discusses diversity, immersive audio and COVID-19A week in pro-audio can be a long time – especially when a global pandemic is beginning to assert its influence on everyone’s daily lives. At the time of SVG Europe’s conversation with new AES president Agnieszka Roginska, Prolight +...
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Audio challenge: Keeping a lid on loudness in the OTT eraInitially established in 2010 and then revised in 2014, the European Broadcasting Union’s R 128 guideline for loudness normalisation has had a significant impact on the standardisation of loudness levels in traditional linear broadcasting. Specifying a target level of -23...
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