Michał Mika is on a mission to educate Poland’s ears. A broadcast audio engineer and A1, Mika is also the founder of outside broadcast company specialising in audio, 120dB Sound […] More
Sports television has never sounded so good, and the creative adoption of wireless microphone technology is playing a big part, providing more creative opportunities for broadcasters to deliver more visceral […] More
Broadcast live from the Tottenham Hotspur Stadium on DAZN worldwide, last month’s inaugural Ring Magazine promotion was one of the most highly anticipated fights for decades. The middleweight bout between […] More
Formed in 1892, the Fédération Internationale des Sociétés d’Aviron – or World Rowing, as it is now more conveniently known – has been pummelling the waves for more than 130 […] More
February’s SVG Europe Scaling up for DTC online event issued a challenge for the sports broadcast industry to push the boundaries of audio personalisation. “As leaders in the audio industry, […] More
In live sports, being part of a team is essential. It’s kind of its thing. But working as a team is not solely the preserve of the playing field and […] More
The public’s appetite for direct-to-consumer sports not only provides more content for sports fans, but an opportunity to reinvent what sports broadcasters can deliver and February’s SVG Europe Audio session […] More
It is always the big sporting events that make the most noise, and this year has been very, very noisy. Fan engagement has blossomed as broadcasters and content creators have […] More
The third annual Sports Audio Summit was the biggest one yet, attracting more than 100 sound professionals from around Europe for a day of debate, discussion and insight. Kevin Emmott […] More
It’s been almost 70 years since Fritz Sennheiser invented the world’s first ever wireless microphone in 1957, and wireless audio technology has worked pretty much the same way ever since. […] More
Marking its 60th birthday, Calrec chose IBC 2024 to introduce a trio of integrated products, and although its Argo M mixing console and ImPulse V cloud DSP processing engine are […] More
Producing 11,800 commentary sessions and more than 24,000 hours of commentary, Eurosport’s Olympic coverage broke records. SVG Europe spoke to Eurosport’s director of audio technology, Anthony Sachot, to find out […] More
The audio broadcast industry has seen more than a few changes over the last few years. The adoption of IP has led to huge changes in infrastructure, which has in turn […] More
The pressure is on. With more mics, more inputs and more output formats to deliver than ever before, sound engineers have a lot to keep across. The good news is […] More
