CBS and NEP help bring Super Bowl 50 into the IP-based era

Bill Niehoff (left) and Mike Werteen of NEP inside SSCBS, the production unit at the centre of CBS Sports’ coverage of Super Bowl 50

Bill Niehoff (left) and Mike Werteen of NEP inside SSCBS, the production unit at the centre of CBS Sports’ coverage of Super Bowl 50

Super Bowl 50 marks the high point in the life of NEP’s SSCBS production unit, a cutting-edge unit that was the backbone of the Thursday Night Football production and brings Super Bowl production into the IP era thanks to an Evertz IP router and plenty of hard work during the past six months to make sure that operating in IP mode is as reliable as working in traditional baseband mode.

“We were thrilled when CBS decided on SSCBS and Thursday Night Football has been like a Super Bowl every week,” says Mike Werteen of NEP. “And it also rolled out a lot of new technology like an IP router, a DANTE-based communications systems, and other new systems that had not been used before. It took a couple of weeks for to get smoothed out but since then it’s been fabulous.”

The NEP presence at Super Bowl 50 extends beyond SSCBS. Super Bowl fans around the world see a world feed produced out of EN1, the halftime show produced in NEP’s Denali California unit, the NFL Honors program produced out of Denali Summit, SS16 at Super Bowl City in San Francisco, and NEP is also supporting ESPN’s efforts at Marina Green in San Francisco. NEP also has 75 employees on hand to make sure all operations go as smoothly as possible.

Bill Niehoff, NEP, engineering manager, is on site leading the team that is overseeing SSCBS, a role he has had the entire season.

“Having Thursday Night Football made us more prepared to get into the playoffs and Super Bowl mode,” he says. “The Super Bowl is about 25% bigger than Thursday Night Football and that doesn’t sound like a lot but that’s only because the size of Thursday Night Football. In fact, the playoff productions were actually smaller than the Thursday Night Football productions.”

He is also at the centre of making sure an IP-based production is as rock solid as a baseband production in terms of reliability and ease of management.

“Learning how to incorporate IP into the outside world was the big challenge as it plays well in its own IP-to-IP world but you need to figure out how to get all the legacy baseband signals in and out and also do that efficiently. But once you have converters to do that there is a lot less cable on the ground or breakups because of bad connectors.”

And there is one example of the Evertz IP router being able to tie directly to another IP router as the Levi’s Stadium scoreboard control room is also all IP.

“One of the cool things is the router in the stadium put in some IP cards and we can feed to and from the stadium over fibre,” says Niehoff.

Niehoff only envisions IP-based production getting easier, especially when other manufacturers get on board.

“When we see Sony cameras that have IP-based camera control units or a Grass Valley switcher that talks IP, that will make things easier,” he adds. “But you need to move along with IP technology because it’s coming.”

Following the Super Bowl SSCBS will hit the road for its first complete season of golf coverage where its strengths and capabilities will once again be leveraged. And this week NEP’s newest IP-based production unit will be used for the NBA All-Star Game in Toronto.

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