IBC 2024: Ikegami Rolls Out New HDK-X500 camera, OCP-500 control panel, and pair of new monitors

Ikegami is showcasing recent additions to its wide range of broadcast production cameras, monitors and related equipment on stand A31 (Hall 12) at IBC 2024. Making their European debut will be the HDK-X500 camera and OCP-500 operation control panel as well as the new HLM-2460WA and HLM-1860WR monitors.

HDK-X500 portable HD camera system & OCP-500 Operation Control Panel

The HDK-X500 is designed for use across a wide spectrum of applications including pedestal-mounted studio operation, tripod-based sports coverage and shoulder-mounted EFP/ENG. Features include three latest-generation 2/3-inch CMOS global shutter sensors plus automatic optical vignetting correction throughout the range of OVC-compatible B4 bayonet mount zoom lenses. Back focus of RBF-compatible lenses can be adjusted even when the camera head is in a remote location. Optimal control of ambient lighting, studio or outdoor, is supported by the same neutral-density and color-compensation dual filter system used in Ikegami’s high-end cameras. The camera’s integral digital processor provides 16-axis color correction, allowing precise scene matching or to create specific effects. HLG HDR is fully supported.

The OCP-500 also makes its first IBC appearance. The Ikegami OCP-500 operation control panel allows the HDK-X500 to be controlled fully remotely. Designed for integration into an outside broadcast hub or studio control gallery, its 82 mm width offers space-saving efficiency without compromising on functionality. Up to five OCP-500 panels fit in the space of four OCP-300 control units. Self-illuminating control buttons improve operation in dimmed sub-control room environments. Power consumption has been reduced to approximately half of the OCP-300. Data can be stored or shared via USB memory sticks.

UHK-X700 IP-capable UHD HDR HFR camera

The UHK-X700 has three 2/3-inch CMOS UHD sensors with a global shutter to minimize artifacts when shooting LED screens or scenes illuminated with flash or strobe lighting. Weighing only 5 kg, the UHK-X700 comes with a B4 lens mount and has an optical sensitivity of F11 at 4K-UHD/50p. Full HDR/SDR support is included plus the ability to choose between BT.2020 and BT.709 chroma spaces. HFR shooting at up to 2x speed in UHD or up to 8x in HD via the BSX-100 base station is possible as an option. Combining the BSX-100 base station or CCU-X100 camera control unit with the UHK-X700 also offers the ability to output UHD and HD simultaneously. ST 2110 Media-over-IP I/O is available as an option via the BSX-100 or CCU-X100.

UHK-X600 4K Upgradable HD portable camera

The UHK-X600 is a studio/portable camera with three 2/3-inch oversampling UHD CMOS sensors providing 1000 TVL resolution, minimal aliasing, plus 2000 lux sensitivity at F11 (HD/50p). Standard features include full support for Hybrid Log Gamma HDR with the ability to select between BT.2020 and BT.709 chroma spaces.

UHL-43 4K/HD Multi-purpose compact camera

The UHL-43 is a compact box-style camera designed for applications such as robotic studios, live-event broadcasting, parliamentary television and point-of-view image capture. The camera head can be used on practically any support device such as a remote pan and tilt, long-reach arm or overhead mount. The UHL-43 employs three 2/3-inch UHD CMOS sensors in the same workflow and remote control structure as the UHK-X700 and UHK-750. HLG HDR is supported as standard in HD and UHD. Output options supporting 12G-SDI or 4 x 3G-SDI over electrical cable or optical fiber are available.

UHL-F4000 Low light airborne UHD HDR camera

A compact and lightweight UHD HDR camera with low power consumption, the UHL-F4000 is designed for applications such as helicopter-mounted aerial video capture in a wide range of night or day conditions. The camera head has three UHD CMOS global shutter sensors capturing natural images completely clear of geometric distortion and flash band effects. Image adjustment capabilities include noise removal, digital zoom, haze reduction, image sharpening, vertical image reversal and HD-from-UHD segment selection. A duplex optical fiber connection communicates between the ultra-compact camera head and small-sized CCU which can be positioned up to 10 km apart.

HLM-2460WA and HLM-1860WR HD video monitors

Building on the features and performance of its HLM-2460W predecessor, the new 24 inch Ikegami HLM-2460WA video monitor reproduces more accurate dynamics of the source images thanks to an IPS LCD panel with 1,800:1 contrast ratio and 400 nits peak brightness. The HLM-2460WA fits into broadcast environments such as edit suites where a computer-friendly WUXGA display resolution is preferred, and for integration into monitor walls.

Also new, the HLM-1860WR features a larger 18.5-inch IPS LCD panel than its predecessor, HLM-1760WR, within the same 19-inch rack-width 7 U chassis. The display has a 1,000:1 contrast ratio and, with its 500 nits peak brightness, reproduces clear images even in outdoor environments. The HLM-1860WR can be powered from mains or 12 V DC battery. Additional features of both models include user-definable onscreen guides (up to 12 lines or boxes) which can be positioned using a USB mouse. Dynamic and static UMD are also supported.

Broadcast production monitors

Ikegami will also show examples from its range of broadcast production monitors. These include three 4K/HD models: the 31.5-inch HQLM-3125X and HQLM-3120W plus the 17-inch HQLM-1720WR, an HD video monitor: 9-inch HLM-960WR, and an HD Professional display: ULE-217AR.

Ikegami announces IPX-100 IP extension unit

Ikegami (stand 12.A31) is launching the IPX-100, a full-featured IP-oriented mini base station, at IBC 2024  at IBC 2024. IPX-100 product availability is scheduled for Q1 2025.

“The IPX-100 is a compact and attractively priced bridge between conventional broadcast and the wider world of ST-2110 infrastructure,” comments Gisbert Hochguertel, Ikegami Europe Product Specialist. “Compatible with all cameras in the Ikegami XE and HD series, it offers core features of our established and industry proven BSX-100 base station plus optional SMPTE ST 2110 Media-over-IP support. The new model is one third smaller in size at just 2U high by half 19-inch rack width. ST 2110-22 (JPEG-XS) encoding is available as a software option, an important feature allowing the data rate to adapt to the available IP bandwidth.”

Equipped to operate as a fully self-contained unit, the IPX-100 includes an integral signal generator which allows system configuration before cameras or other sources are connected. ST-2110 connectivity can be set up independently by IT specialists prior to the event. On the day of the event, the cameras can then be connected easily to the IPX-100 by a conventional SMPTE-hybrid fibre cable with up to 3.5 km cable extension. The camera head is powered by the IPX-100 so there is no operational difference compared with using a conventional fibre-cabled camera.

The IPX-100 converts the broadcast signals to ST-2110 compliant signals and, as such, serves as a gateway to IP. The IPX-100 is also available with an optional 3G/HD-SDI input/output to serve as an external SDI-to-IP or IP-to-SDI converter. An HD-SDI video monitoring output allows direct connection of a field monitor to the IPX-100 to control the related video signals on location.

Connecting an Ikegami OCP-300/-500 via Ethernet to the IPX-100 enables camera control on location, even if an IP connection to the wider ST-2110 infrastructure is not yet established. A PC running Ikegami XE Web View software can simultaneously be coupled to the network hub, enabling system supervision via an optional Protocol Gateway. Automated setup can be performed using an NMOS IS-04/IS-05 feed from the IPX-100 to a local or remote central automation system.

Supported video formats provided as standard include UHD (2160p59.94/50), HD (1080p59.94/50, 1080i 59.94/50, and HD-HFR in 1080i/p (2x/3x/4x speed) and 720p59.94/50). Other supported standards include SMPTE ST 2022-7 redundancy, ST2110-10, ST-2110-20/-21/-22/-30/-40 and ST 2059-1/2 PTP synchronisation and a wide range of control protocols such as NMOS IS-04/-IS05.

The IPX-100 can optionally output JPEG-XS signal streaming data (software option) at selectable rates of high (1/6), medium (1/8), low (1/16) and minimum (1/32). Other options include a 3D-LUT output for HD simulcasting (compatible with 33 x 33 x 33 or 65 x 65 x 65 .cube files created using DaVinci Resolve), HD to 4K-UHD upscaling or a data trunk output.

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