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live production
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The great fragmentation: GlobalM on why sports rights splintering is a good thingBy Paul Calleja, CEO, GlobalM. There’s been plenty of noise lately about the fragmentation of sports rights, feeds being split up, packages getting smaller and the delivery landscape growing more complex. And sure, it’s a shift from how things used...
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The end of experimentation: Diversified on why 2026 will be the year European sports broadcasting starts evolving with purposeBy Francis Williams, technical commercial director (media) EMEA, Diversified. Over the past decade, European sports broadcasting has been defined by one word: experimentation. New workflows, new camera angles, new distribution models, new formats and newly emerging platforms have kept the...
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SVG Europe unveils packed in-person 2026 events scheduleSVG Europe has confirmed an extensive programme of in-person events for 2026, combining large-scale Summits with a series of smaller, more focused Forums. Together, they cover a broad range of creative, business, technology and operational topics that reflect the rapidly...
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Power shift: Appear on why the rights holder is becoming the broadcasterBy Andy Rayner, CTO, Appear. The most disruptive force in live sport video today isn’t a new codec or a smarter camera; it’s the moment a federation looks at the host broadcaster and thinks: why aren’t we doing this ourselves?...
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The age of invisible infrastructure: Grass Valley on when production becomes the new UXBy Tim Banks, CRO, Grass Valley. If you listen carefully behind a big live sports broadcast, you can hear a faint hum of exhaustion. More systems, more panels, more dashboards, more alerts. Every year, the production stack grows more capable...
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The democratisation of sports broadcasting: Hitomi shares how software workflows are levelling the playing fieldBy Russell Johnson, director, Hitomi Broadcast. 2025 has marked a pivotal shift in sports broadcasting – not through revolutionary new technology, but through the maturation of software-based production workflows that have fundamentally altered the economics of live sports coverage. For...
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Trust in content provenance, accuracy and speed: The next challenges of AI adoption in sports production, according to EVSBy Alex Redfern, CTO, EVS. Artificial intelligence has moved well beyond the experimental stage in live sports production and is now commonly used across today’s workflows. From speeding up routine tasks to enabling creative output that would have been unthinkable...
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The end of perfection: Grass Valley explains why live sports needs more human imperfectionBy Ronny Van Geel, director of product marketing, Grass Valley. Somewhere along the way, live sports started to look a little too perfect. Cameras never miss. Replays arrive instantly from every angle. Line calls are corrected by machines with clinical...
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Whitepaper: Explore the cinematic look in live production with Grass ValleyIn recent years, live production – particularly in the domains of sports, concerts and large-scale entertainment – has increasingly sought to replicate the visual sophistication traditionally associated with cinematic film, especially for select camera positions. While high-quality, technically robust live...
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Playing IP first: LTN on how growing sporting leagues can master a new production blueprintBy Mike Burk, LTN general manager for event production and transmission unit. Sports fans today enjoy unrivalled, on-demand access to global, national, regional, and hyper-local events across multiple platforms and devices. Even under one roof, viewers can simultaneously watch multiple...
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Whitepaper: Nevion explores IP architecture options for live productionNevion, a Sony Group Company, has published a new whitepaper which details the different IP architecture options for live production and offers a best-practice solution for organisations looking to optimise their resources. In this whitepaper, Nevion puts forward the case...
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Football Summit 2025: Interview with EVS chief technology officer Alex RedfernSpeaking during Football Summit 2025, EVS CTO Alex Redfern talks industry trends and outlines how AI is aiding the company's solutions development. Football Summit 20025, sponsored by EVS Broadcast Equipment, took place at the Etihad Stadium on 20 March.
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Focused on the slopes: How production partner NRK has prepared for the FIS Nordic World Ski Championships 2025Biennial Nordic skiing event, the International Ski Federation (FIS) Nordic World Ski Championships, is about to hit the snow in Trondheim, Norway at the Granåsen Arena. World Championship events include Nordic skiing's three disciplines: cross country skiing, ski jumping, and...
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Broadcasting innovation: Greater efficiency will facilitate more diverse content in 2025, says DomoBy Mike Budge, broadcast unit director at Domo Broadcast Systems. During 2024, sports broadcasting has maintained the inexorable quest to satisfy evolving consumer preferences and embrace technological advancements – all while experiencing a continued squeeze from economic pressures. As we...
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