Live from The Ryder Cup: ETP, CTV at centre of world feed operations

European Tour Productions (ETP) and CTV OB have a major presence at the Ryder Cup this weekend as both are heavily involved with creating the world feed that is the backbone of the coverage of Sky Sports UK and 47 other ETP rights holders covering 175 territories. And it is once again a case of trans-Atlantic partnership as both are working closely with NBC Sports and NEP which is providing remote production facilities.

Tony Coxon of ETP (left) with Barry Johnstone and Hamish Greig (right) of CTV.

Tony Coxon of ETP (left) with Barry Johnstone and Hamish Greig (right) of CTV.

“We have a long and good relationship with NBC Sports at Ryder Cups and now The Open Championship,” says Hamish Greig, CTV OB, technical director. “Having NBC at The Open has cemented that relationship even further as they could not be any more helpful.”

The relationship between NBC Sports and ETP/CTV for the Ryder Cup can best be described as one of host and guest, with the host handling all of the cabling infrastructure and also managing the compound.

CTV OB is calling NEP production trucks home for the event, working out of NEP ND7 (A, B, and E) and SS10B for the world feed and CTV client BBC is working out of SS23 A and B for a nightly highlights package.

“It’s a small global community and we have had a long and happy relationship with NEP and we don’t have any issues working with them if it makes engineering and financial sense,” says Greig.

Production trucks on both sides of the Atlantic tend to have some differences so the CTV and NEP teams worked closely to make sure the right facilities were used.

“In Europe we tend to have one truck that does everything while American trucks tend to be two, three or four units that divide everything up, with audio next to graphics or production in the same truck as the tape area,” says Greig. “So we were looking at trucks that had the areas that would service our needs.”

For the World Feed ETP makes use of 33 of its own cabled cameras as well as nine RF feeds, a mix of Sony HDC-1500, -2500, and -4300 cameras. Of the nine RFs two of them concentrate on matches that are finishing up, on hand to do interviews with players and captains.

“Plus we have 50-odd feeds from NBC and any specialty feeds from Sky and the Golf Channel,” says Greig. “So the main vision mixer has 105 camera sources and MADI audio from NBC and we also do our own submix, have our own super Iso area and two main audio areas.”

Audio is also a major part of the event and ETP has eight high-powered radio mics, two roving talent and 6 roving FX mics on the course supplemented with effects mics on the RF cameras. Graphics are supplied by MST which handles graphics for the ETP events, RF by Broadcast RF, and CP Communications is providing radios, IFB, and talent mics.

“We have a long-term, world-wide relationship with Broadcast RF and we have brought them to the U.S. twice,” adds Greig.

The ETP/CTV production and operations team numbers approximately 230 people and will leverage much of the content created by NBC (and vice versa).

“NBC has the American side covered 100% so that naturally makes our job easier because we know that we have great coverage of the USA side,” says Greig. “So we focus on the European side and that results in good coverage of both teams.”

Greig says Friday and Saturday coverage is fairly straightforward as there are only four matches played at a time. Sunday gets more challenging as there will be 12 matches on the course for a large portion of the day.

“So much can be going on at one time like at Medinah when no one gave Europe a chance on the Sunday and then they came back,” says Greig. “It makes for wonderful television.”

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