In a continuation of its long-term emphasis on education around IP audio standards, the Alliance for IP Media Solutions (AIMS) held an online TechFest on 9-10 March which addressed both […] More
In the wake of a successful virtual European show in June, it was to be expected that the Audio Engineering Society (AES) Show Fall 2020 would also assume an online […] More
A more general industry awareness of 22.2 may only have become a reality in the last few years, but in fact the history of the surround sound format stretches back […] More
The fact that the number of cisgender women and transgender people becoming audio engineers – and then receiving proper credit for their achievements – is still far from achieving parity […] More
With COVID-19 rendering the annual European gathering of the Audio Engineering Society an impossibility, the decision was taken to present an online-only conference from 2-5 June under the heading of […] More
There is no doubt that 2020 is shaping up to be a landmark year for broadcast codecs with a slew of new developments due to reach fruition. One of the […] More
Ever since the SMPTE ST 2110 media IP standards began to be published in 2018 after many years of work, there has been an understandable interest in audio circles concerning […] More
Improved audio for people with hearing loss and a Broadcast Audio feature that allows universal audio sharing are among the selling points of the new LE (Low Energy) Audio Standard, […] More
A week in pro-audio can be a long time – especially when a global pandemic is beginning to assert its influence on everyone’s daily lives. At the time of SVG […] More
Initially established in 2010 and then revised in 2014, the European Broadcasting Union’s R 128 guideline for loudness normalisation has had a significant impact on the standardisation of loudness levels […] More
